The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. Undergraduate Diversity Officer. Facebook; Instagram; LinkedIn; YouTube; From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. sarahjacobs@ucsb.edu The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. 0000007725 00000 n Art, Electronic Theater or Performance Jury. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. We couldn't do it without you, our amazing faculty and staff members. Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . Dr. Cabrera is adjunct faculty in the Media Arts and Technology Program at UC Santa Barbara and received his PhD at Queen's University Belfast under the direction of Dr. Gary Kendall, a pioneer of computer music and spatial audio digital signal processing. A state-of-the-art research and teaching facility. Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. Professor His use of a computer as an algorithmic music tool dates from 1971. He recently received the NSF CAREER Award, the NASA Early Career Faculty Award, and the Packard Fellowship. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. Santa Barbara, California 93106-4160. Sep 2019 - Jun 20211 year 10 months. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. My idea of a perfect meal: One that is shared with family, friends, or loved ones. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. He is the creator of Artsmesh, a macOS application for live networked music performance. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). In 2004, he published his The Laws of Cool: Knowledge Work and the Culture of Information (Univ. Phone: (813) 974-7522. Alan Liu is Professor in the English Department at the University of California, Santa Barbara, and previously a faculty member in the English Department and British Studies Program at Yale University. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. She works across the fields of computational art and design, human computer interaction, and systems engineering. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. Associate Post Doctoral Research Fellow In 1994, when he started his Voice of the Shuttle Web site for humanities research, he began to study information culture as a way to close the circuit between the literary or historical imagination and the technological imagination. and B.F.A from Hunter College and the University of Oregon respectively. Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. Department of Art. He is former Media Arts & Technology department chair (2013-2017). A composer of primarily electro-acoustic works, her music has been performed throughout the United States, Europe and Asia. Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. His studio in Beijing specializes in live music performance over highspeed networks. Regents of the University of California. Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Fax: (805) 893-8736 JENNIFER JACOBS - Wellness Fitness & Nutrition. University of California, Santa Barbara - Cited by 16,662 - visual neuroscience . Office: ED 3230 Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. 0000007219 00000 n His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. in Electrical Engineering in 1998 in the area of electron-beam lithography. Founder of J METHOD Fitness We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Her research has received extensive media coverage from leading media outlets (e.g., from Engadget, UploadVR, MIT Tech Review and Forbes India) and has drawn the attention of industry research, such as Samsung and Unity 3D. 320: 1983: Cone-based vision of rats for ultraviolet and visible lights. Tim Dewar She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . Copyright 2023. BibTeX. %PDF-1.4 % in Computer and Electrical Engineering. 0000007933 00000 n Click Here to Login with UCSB Net ID. Professor Undergraduate research fellow at the Center for Black Studies Research. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. Early life and education. Dr. Jacobs received her Ph.D. from UC Berkeley and her B.A. safeguard properties lawsuit 2017; syl johnson chad ochocinco father Jennifer Jacobs. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. Gerald Jacobs received a B.A. Pradeep Sen is a Professor in the UCSB MIRAGE Lab in the Department of Electrical and Computer Engineering at the University of California, Santa Barbara. Since 2017, he is a research fellow at the Institut des mines-telecom ParisTech, Paris, France and the iCinema Lab, at the University of New South Wales, Sydney, Australia. Copyright 2023 The Regents of the University of California, All Rights Reserved. Defining and building the future of computer science, from theory to applications and from science to society. Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. Public figure. He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Faculty. She is the founder of Uproot, UCSB's first BIPOC art coalition. She also received an M.F.A. 735 20 Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. The software was tested in performances on the 48.4 speaker Klangdom of the ZKM, the 54.1 AlloSphere at UCSB, and the 28.2 sound system of the Mumuth in Graz, Austria. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). Register here 0000000016 00000 n Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. 0000008107 00000 n 0000001555 00000 n Please enable it to continue. MIT selected her as an EECS Rising Star in 2018. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. Office: ED 3243, Mathematics Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. Verified email at ucsb.edu - Homepage. He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. 1,160 following. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. tdewar@ucsb.edu He has published, lectured and exhibited his work internationally. JENNIFER JACOBS Updated: December 9th, 2022. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". BEng, Systems Design Engineering, University of Waterloo, Canada. dyoung@ucsb.edu, Jennifer Scalzo He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. He holds joint appointments with the Department of Art and the Media Arts & Technology graduate program at the University of California Santa Barbara, and was appointed as Co-Director of the Univerisy of California system-wide Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative methodologies initiative. 0000003066 00000 n Expressive Computation Lab. She is also the founding co-editor of a new UC Press open-access journal, Media+Environment. Julie Estabrook She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. Office: ED 3262, University of California, Santa Barbara 0000007962 00000 n Connect. amber.moran@ucsb.edu In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. She also received an M.F.A. Despite this trend, computational and manual forms of creation are not mutually exclusive. Department of Mechanical Engineering. This collection of links will get you to a load of information and resources you may find helpful while you're here. mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) 0000004917 00000 n . ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 His contribution to the digital media field since the early stages of its formation into a discipline in the early 1990s has been in intersecting cultural content with data processing as a means of creating new forms of aesthetic representations and socio-cultural narrative experiences. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. She joined the UCSB faculty in 2001 after receiving her M.S. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). Monica Scafide Copyright 2023. Login with your UCSB net ID to manage your events. MS, Geography, University of Toronto, Canada Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. 0000010406 00000 n 0000002325 00000 n 2) Broadening professional computational making through computational fabrication technologies. Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Pollock T.M, Clarke A.J, Babu S.S . Connect. Opportunities for PhDs to work on world-class computer science research with faculty members. 0000055655 00000 n jjacobs9@gmail.com. My least favorite food: There really isn't any food I don't like. 0000005074 00000 n 0000054815 00000 n Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). MFA San Francisco Art Institute. brennan boesch career earnings cameron boyce funeral cameron boyce funeral He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. University of California, Santa Barbara. 0000001885 00000 n Lab: room 3005 (Systemics Lab), Elings Hall. with your company email address. In his role as CREATE Research Director he leads interactive distributed computation research and development at the Allosphere Research Facility. Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada Santa Barbara, California 93106-1120. 0000001534 00000 n RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . As part of her research, she has conducted craft and technology workshops around the world. 0000010120 00000 n Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. In particular, we investigate the design, engineering and study of human-AI integration through novel interfaces, interactions, tools and systems focusing on skill acquisition, task guidance and creative collaboration. New interface technologies become new tools for musical and artistic expression. Media Arts and Technology, Computer Science, University of California, Santa Barbara Natalie Holdren Email: esprogram@es.ucsb.edu. He is interested in expanding the ways in which people interact with computers. The new release (2021) includes support for Open Sound Control. Nadya Peek, an assistant professor in the Department of Human Centered Design & Engineering, and her collaborator Jennifer Jacobs, assistant professor at University of California Santa Barbara in the Media Arts and Technology Department and in Computer Science, will develop computational tools to better support dynamic workflows and allow for . Santa Barbara CA 93106-9490. He studied organ performance, composition and architecture in Lisbon. RE Touch Lab - Director and Principal Investigator. 0000009548 00000 n Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference.